Monet’s Moon

$400.00

An Artist’s work is the realistic reflection of the individual’s heart. When Alan Bean donned his paint apron the depth of his space exploration knowledge and the sweetness from his artistic soul flowed from brush to canvas. “It is my dream that on the wings of my paintbrush many people will see what I saw and feel what I felt, walking on another world some 240,000 miles from my studio here on planet earth.” 

LIMITED EDITION CANVAS
Image Size: 11″w x 16″h
Published: January 2017

(This item ships Gallery Wrapped.)

Each print comes with a signed letter on Moonwalkerdaughter letterhead indicating direct purchase from Amy Bean. I will personalize the letter if requested.

Limited Edition of: 125 This item is no longer available at the Publisher

 

Description

“I began these studies a number of years ago to record some of my memories of seeing the Moon close up,” says artist Alan Bean. “My first study showed how Pete Conrad, Dick Gordon, and I saw the Moon an hour or so after we thrusted out of lunar orbit heading for home. The Moon appeared exactly as if we were looking at a large black-and-white photograph because of the strong direct backscatter of sunlight by the lunar dirt. I could not recognize the Moon as a sphere, only as a flat disc. The study was technically accurate but to me an unartistic black-white-painting. I set it aside. My first try at this second study was an unsuccessful attempt to show the pronounced blue of the reflected earth light as it strikes the shadow area of the Moon. It was unartistic; blue-gray, black-and-white painting. I set it aside. I did several others with similar results. Years later I decided to rework two of these studies as color exercises. The first – Monet’s Moon – was painted with my favorite artist in mind. I studied a print of one of Monet’s Rouen Cathedral series created in reds, violets, and blues. I then repainted the Moon with Monet’s colors, this time without regard to mountains and craters. For the second study, now titled “A Most Beautiful Moon,” I tried to retain some of the reflected-earth-light-shadow-effect while adding other earth colors. I satisfied my curiosity with these studies. I’ll leave the job of creating a body of full-disc Moon paintings to future artists. I’m spending most of my time recording an event that will never happen again in our history: humankind’s first visit to another world.”

Alan Bean

Twelve people have walked on the moon. Only one was an explorer artist, Alan Bean—Apollo XII astronaut, commander of Skylab II and artist. Born in 1932 in Wheeler, Texas and in 1950, Alan was selected for an NROTC scholarship at the University of Texas at Austin. Alan was commissioned an ensign in the United States Navy in 1955. Holder of eleven world records in space and astronautics, Alan Bean has had a most distinguished peacetime career. His awards include two NASA Distinguished Service Medals, the Yuri Gagarin Gold Medal and the Robert J. Collier Trophy. As part of the Apollo XII crew, he became the fourth of only twelve men ever to walk on the Moon. As the spacecraft commander of Skylab Mission II, he set a world record: 24,400,000 miles traveled during the 59-day flight. When he wasn’t flying, Bean always enjoyed painting as a hobby. Attending night classes at St. Mary’s College in Maryland in 1962, Alan experimented with landscapes. During training and between missions as a test pilot and astronaut, he continued private art lessons. On space voyages, his artist’s eye and talent enabled him to document impressions of the Moon and space to be preserved later on canvas. A voracious student, Alan began to immerse himself in polishing his talent with the same intensity he gave to his astronaut training. Inspired by the impressionists and studying under contemporary masters, he is a first-rate artist who is as comfortable rendering sharp realism as he is with portraying subtle emotions through a faceless spacesuit— but there’s a bonus: As the only artist who has visited another world, Bean paints with an authenticity and insight completely unique in the entire history of art by creating a palette mirroring his artistic eye. His is a personal portfolio of the golden era of space exploration as viewed by the only artist who has BEEN there. His art reflects the attention to detail of the aeronautical engineer, the respect for the unknown of the astronaut and the unabashed appreciation of a skilled explorer artist. The space program has seen unprecedented achievements and Bean realized that most of those who participated actively in this adventure would be gone in forty years. He knew that if any credible artistic impressions were to remain for future generations, he must paint them now. “My decision to resign from NASA in 1981 was based on the fact that I am fortunate enough to have seen sights no other artist ever has,” Bean said, “and I hope to communicate these experiences through art.” He is pursuing this dream at his home and studio in Houston. Bean’s book, Apollo: An Eyewitness Account, which chronicles his first-person experience as an Apollo astronaut and explorer artist in words and paintings, was received with critical and popular acclaim upon its publication in 1998.